Prose is the most popular form of writing in the modern day. It’s the big-seller and the stuff that gets you somewhere towards a career as a writer. However, there is a lot more to writing prose than just putting pen to paper (despite what the likes of Fifty Shades of Grey might suggest). A fanfiction can get you only so far, a truly amazing contemporary classic is what wins the awards and recognition. So for those of you wanting to write some prose that’s more about quality than anything else, here is a How To on writing prose.
- Start off Small:
Sensing Deja Vu? Yes, this was the subtitle to step one of How To Write Poetry, and probably the best advice for anyone attempting to produce something exceptional and worthy of praise. Here’s a quick story for you: when I was thirteen I decided I wanted to be a writer. I began writing a novel that I dreamt would make me as famous as J.K Rowling. I got three chapters in and gave up. A year later, I tried again. I started another novel (something fresh because I re-read what I had done before and it was frankly abysmal) and after a couple of months I gave up at six chapters in. So, what can you take from this dull little tale? Dream big, but to begin with don’t write big. Start out with a short story, or a collection of short stories and see where that takes you. A novel is an impossibly hard project and one that a more experienced version of yourself should attempt to tackle.
- Strive for originality, dodge fanfiction like the plague:
Fanfiction is fun to read and write online when you’re bored. It has all the brilliance of keeping your favourite characters alive, but some things are meant to die. Fanfictions destroy what you first loved about those characters by putting out their spark in the force of chaos that is the internet. Fanfictions are like eating your favourite junk food, but if you do that every day you’ve lost your favourite thing to eat because it doesn’t excite you as much as it once did. To keep your writing original and of a certain calibre avoid all fanfictions for the time being. It will really alter the way you write, and not in a good way.
- Avoid overpowering influences:
Another one that always gets at me. Picture this scene: you’re in your room and your writing your first sentence. Supermassive Black Hole by Muse comes up on Spotify and as you’re Ohhhing and Ahhhing away to Matt Bellamy’s haunting vocals you suddenly have the urge to include a character who’s a vampire in your piece. But what will you name him? The name Edward is a good memorable name. So you go with that. Suddenly, you realise you’re writing Twilight. Why? Because you associated that one song on your playlist with this whole other domineering influence. It’s great to let yourself be influenced, in fact I advise you pick up a collection of short stories as food for thought, but please, do not get sucked into the franchise mindset.
- Plan, plan, plan!
There is a real pressure on the organisation, flow, and plot structure when writing a short story. It’s condensed and of a certain length, and as a result that requires you to really consider the value of the words you use and the importance of the choices you make. It’s a real puzzler when realising that your ten pages into writing your short story and you’ve only just set the scene. If you write yourself a rough plan things will go more smoothly, and it means you can come up with some mind-bending plotlines that will make any reader rethink every single word they’ve read come to the final sentence.
- Trim the Fat:
An acquaintance of mine who is a published writer once called this ‘Killing your darlings’. Basically, you need to be your harshest critic and edit mercilessly. Sometimes this might mean removing something you love, something that felt like a piece of you from your writing but for the good of prose, it’s got to go. Taste and judgement is something some have more than others, and even still, something you adore may be a huge error to everyone else. Writing good prose is about striking that balance between what the populus will enjoy and what makes your writing characterful, and exceptional, and yours. Kind of like that new shirt you bought that you never took the tags off because you really weren’t that sure about it when you bought it, sections of text that fall into this category need to be cut. Inside every fat novel, there is a skinny one trying to get out. The same can be applied to a truly well-honed short story.
- Symbolism is a girl’s (or whoever’s) best friend!
I’m by no means encouraging you to pick up a copy of Saussure’s Sign. Signifier, Signified because it’s frankly far too mind-boggling. However, you do need to apply basic knowledge of symbolism to short story writing in order to give it value and get your point across in so short a space. Short story writing in this sense is closer to poetry than anything else: it demands that you think outside the box a little. For doing it, each word packs a hell of a punch. Symbolism and foreshadowing are incredible tools for a writer with limited words. Once you can master a more selective and leaner word diet, then you can move onto a larger project like a novel.
- Beware the dreaded Writer’s Block:
It will happen. It’s inevitable, like puberty or gravity: you will get the writer’s block. You will doubt your capabilities as a writer. You will want to give up and write something else, or simply give up writing altogether. Don’t! You’ve made it this far for a reason. You’ve trained and worked for this through every collection of short stories that ever made you sweat. Now you get to do the bit you wanted to do so badly for as long as you can remember. But, now you’ve found you’re more critical of yourself it takes you a lot longer and a lot more effort to even get the perfect sentence out. My only advice for the vice that is writer’s block is don’t give up. Drop the project for a week, go somewhere different with people that inspire you and come back after you’ve soaked up all that the world has to give and project that into your novel. A new perspective due to a little timeout can really breathe a new lease of life into something growing stale at your fingertips.
“Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?”
― Kurt Vonnegut.